TOM ROOTH FINE ART WILL BE HOLDING A SOLO EXHIBITION OF PAINTINGS BY ELIE LAMBERT AT
THE OPEN ART FAIR (18 - 24 MARCH 2020).
Please email info@tomrooth.com for further details, or to register interest.
The first time that an example of Elie Lambert’s work was consigned to Christie’s, it was given the prestigious back cover of a sale catalogue - a rare occurrence for a name and hand that had yet to be tested on the open market. Indeed, as none of the auction house specialists knew of the enigmatic artist, the decision was made on the strength of the image and quality of the work alone. It was a commercially astute call: the picture made over twice the top estimate.
Like the personality of the artist, Elie Lambert’s canvases are large and colourful. They are also unique, mesmerising, highly recognisable, and endowed with the power to lift the spirits of any viewer - as great art so often does. Sold in the Sporting Art Sales at Christie’s, Elie Lambert and Sir Alfred Munnings have been the two key painters in the category whose prices have noticeably risen in the past 12 years, since Elie’s work was first offered at auction.
On the surface, little visual connection is apparent between the two, except a shared love and understanding of horses, and a passion for racing. However, the two hands share some central qualities, that elevate them above the realms of the average, thrusting them towards the great names of art history.
Firstly, works by Lambert and Munnings are highly recognisable. From Picasso to Warhol, Constable to Rubens, and Hockney to Monet, the greatest - and most commercially successful - artists produced works that are highly distinctive and recognisable.
Secondly, both painters fall outside the narrow (and often limiting) categorisations that artists can be restrained by: both have a far-reaching appeal that transcends specific markets - in this case ‘sporting art’. Indeed, a key part of their strength is that they appeal to buyers and collectors who have little or no interest in racing or horses, as well as aficionados and weathered enthusiasts. It is revealing to note that buyers with interests in Contemporary, Impressionist, Modern, Old Master and 19th Century art have purchased works by Lambert.
As charismatic and vibrant as the artist himself, Elie Lambert’s paintings sit equally well in both traditional and modern interiors, which perhaps gives another answer as to his broad appeal, the growth of his market, and eclectic spectrum of collectors.
I hope you enjoy viewing this catalogue, and find the paintings as immersing and captivating as I do. Should you have any questions, or I can be of any assistance whatsoever, please don’t hesitate to contact me.
Tom Rooth
Director
AN ARTIST'S LIFE
Elie Lambert was born in Brussels on 25 April 1949. His mother managed a brasserie with his stepfather, a light-weight boxing champion.
Educated at the Charles Bulls High School, Boitsfort, to the frustration of his teachers Lambert spent more time drawing and painting at the Brussels Art Academy, and training and riding bloodstock on the racecourses of Boitsfort, Groenendael and Sterrebeek, than studying in the classroom.
Learning to ride at very early age, Elie was drawn to horses, and introduced to the racing world and Belgian jockey club (along with Baron Crahay) by the Vicomtesse d’Hendecourt.
After a brief spell in the Navy, he travelled the world, ending up working in Washington DC as a horse trainer. It was here that Elie’s 28 year career as a racing journalist for the Paris Turf commenced, after a chance meeting with Jean Fagu, the publications chief editor.
Elie has lived in Newmarket, Chantilly and Deauville, and now resides in Bonneville, near the stud farm of Baron Edouard de Rothschild, the Haras de Meautry.
A great admirer of Jack Butler Yeats and Pablo Picasso, Elie’s artistic output has been prolific - he has produced art throughout his life, and has never been far from paintbrushes and a sketchpad. Since 2006 his works have been sold at Christie’s, and have become increasingly sought after and prominent on the art market.
Elie Lambert (b.1949)
La pharisia nue, Antibes
oil on canvas
19 3/4 x 35 1/2 in. (49.5 x 90.2 cm.)
£9500
Elie Lambert (b.1949)
Vers le depart, Deauville, Clairefontaine
oil on canvas
100 x 150 cm. (39 3.8 x 59 1/8 in.)
£14500
cat.1
Au départ de la grande course de haies, à Clairefontaine
oil on canvas
39 ⅜ x 47 ¼ (100 x 120 cm.)
£13,000
cat. 2
Floodlight racing, Deauville
oil on canvas
15 ¾ x 19 ¾ in. (40 x 50 cm.)
£4,200
cat. 3
Brighton
oil on canvas
19 3/4 x 23 3/8 in. (50 x 60 cm.)
£3,800
cat. 4
St Cloud Paddock, Paris
oil on canvas
31 ½ x 47 ¼ in. (80 x 120 cm.)
£11,000
cat. 5
Jockeys, Windsor
oil on canvas
19 ⅝ x 39 ⅜ in. (50 x 100 cm.)
£7,500
cat. 6
Cagnes-sur-Mer
oil on canvas
15 x 17 ¾ in. (38 x 45 cm.)
£3,000
cat. 7
Longchamp
oil on canvas
15 ¾ x 19 ¾ in. (40 x 50 cm.)
£4,200
cat. 8
Derby Day
oil on canvas
39 ⅜ x 59 ⅛ in. (100 x 150 cm.)
£17,500
cat. 9
Royal Ascot, the old Grandstand
oil on canvas
47 ¼ x 59 ⅛ in. (120 x 150 cm.)
£17,000
cat. 10
Newmarket Heath
oil on canvas
35 ⅜ x 35 ⅜ in. (90 x 90 cm.)
£7,000
cat. 11
Squeeze for room
oil on canvas
39 ⅜ x 47 ¼ (100 x 120 cm.)
£8,000
cat. 12
Through the park of Malmaison
oil on canvas
39 ⅜ x 59 ⅛ in. (100 x 150 cm.)
£14,000
cat. 13
Au canter sur la fibrée, Cagnes-sur-Mer
oil on canvas
19 5/8 x 39 3/8 in. (50 x 100 cm.)
£5,000
cat. 14
The Chester Vase
oil on canvas
39 3/8 x 47 1/4 (100 x 120 cm.)
£11,000
cat. 15
Floodlight racing
oil on canvas
23 ⅝ x 31 ½ in. (60 x 80 cm.)
£12,000
cat. 16
Epsom - gathering to the start
oil on canvas
39 3/8 x 47 1/4 (100 x 120 cm.)
£9,000
cat. 17
Windsor
oil on canvas
39 3/8 x 39 3/8 (100 x 100 cm.)
£7,000
cat. 18
Ksar Said, Tunis, Prix du President Bourguiba
oil on canvas
25 5/8 x 47 1/4 in. (65 x 120 cm.)
£7,500
cat. 19
Epsom
oil on canvas
19 5/8 x 23 5/8 in. (50 x 60 cm.)
£3,800
cat. 20
Cagnes-sur-Mer
oil on canvas
39 3/8 x 63 in. (100 x 160 cm.)
£14,000
cat. 21
The balcony, Ascot
oil on canvas
31 1/2 x 39 3/8 in. (80 x 100 cm.)
£8,500
cat. 22
Au canter sur la fibrée, Cagnes-sur-Mer
oil on canvas
19 5/8 x 39 3/8 in. (50 x 100 cm.)
£5,000
cat. 23
The BallydoyleThree, l’Arc deTriomphe à Chantilly
oil on canvas
39 3/8 x 59 1/8 in.(100 x 150 cm.)
£14,000